Tang Di-sheng, a significant playwright in Cantonese opera, seamlessly blends it with classical drama, enhancing the literary essence of Cantonese opera. His acclaimed adaptations, like "The Peony Pavilion" and "Tragedy of the Emperor's Daughter," showcase his ability to creatively reinterpret the original works. This book contains essays by the authors analyzing Tang Di-sheng's transformative and innovative approach to adaptation, breathing new life into classical masterpieces through the artistic method of "creative treason."
